MUS 522

Fall 2024 All Classes

All Classes

Credit: 4 hours.

Intensive study of special topics in musicology, whether historical, ethnomusicological, or interdisciplinary in approach; seminar format.

4 graduate hours. No professional credit. May be repeated to a maximum of 8 hours. Prerequisite: MUS 528 A (consult Class Schedule for specific section information); Music and Sound Studies graduate minor; or consent of instructor. For graduate students in Music; this course is intended for performance and composition majors, especially DMA students seeking advanced musicology credit.

MUS 522 class schedule data for fall 2024
CRN Type Section Time Day Location Instructor Section Details
70495
Lecture-Discussion
A
9:30AM -10:50AM
TR
0325 Music Building
Takao, M
Part of Term:
1
Date Range:
08/26/24-12/11/24
Section Title:
Global Baroque
Section Info:
Topic: "GLOBAL BAROQUE: MUSIC, POWER, AND THE (MORE THAN) 'EUROPEAN TRADITION." In this course we will take a global-historical approach to the “baroque,” decentering our understanding of its associated music-makings in the 16th to 18th centuries as well as its postcolonial continuities in our present time. By adopting a polycentric perspective, we will study the history of what is often referred to as “Western (art) music” and its relationship to European colonialism, trade, and Christian missionizing in this period. These global networks of power will be explored through a series of connected vignettes ranging from the early modern imperial courts and trading ports of South, Southeast, and East Asia, to the reducciones of South America and beyond. A focus on surviving repertoire from these regions will encourage you to think not only about a more diverse range of music-makers in history, but to also question the “Europeanness” of these musical traditions both past and present, taking seriously Indigenous contributions to and ownership of these musics.
Restriction(s):
Restricted to students with Graduate class standing.
Restricted to students in the Music department.
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