MUS 132

Fall 2024 All Classes

All Classes

Credit: 3 hours.

Courses within this rubric provide an analytical and historical introduction to genres of popular music from the United States and around the world. Iterations of the course may focus on a specific genre, such as Rock, Reggae, or Afropop, or may deal with broader subjects, such as the continua of styles including R&B, Soul, Funk, and Hip Hop, or the pan-generic, international phenomenon of pop music globalization in the twentieth century.

This course satisfies the General Education Criteria in Fall 2022 for:

Humanities – Lit & Arts
Cultural Studies - US Minority
MUS 132 class schedule data for fall 2024
CRN Type Section Time Day Location Instructor Section Details
73460
Discussion/
Recitation
ADA
10:00AM -10:50AM
T
0356 Music Building
Cornell, H
Vallier, N
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
TOPIC: "THE HISTORY OF ROCK." This course is intended to develop your understanding of the history and aesthetics of Rock music, from the 1940s to the present, focusing on critical listening and critical making. You will have the opportunity to get to know the basic forms of rock songwriting, develop knowledge of the ways musicians and sound engineers collaborate to create recordings, learn the general history of rock music and its importance to musicians, and read and write rock criticism.
73462
Discussion/
Recitation
ADC
2:00PM -2:50PM
T
0358 Music Building
Cornell, H
Vallier, N
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
TOPIC: “THE HISTORY OF ROCK.” This course is intended to develop your understanding of the history and aesthetics of Rock music, from the 1940s to the present, focusing on critical listening and critical making. You will have the opportunity to get to know the basic forms of rock songwriting, develop knowledge of the ways musicians and sound engineers collaborate to create recordings, learn the general history of rock music and its importance to musicians, and read and write rock criticism.
73463
Discussion/
Recitation
ADD
3:00PM -3:50PM
T
0357 Music Building
Stedman, W
Vallier, N
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
TOPIC: “THE HISTORY OF ROCK.” This course is intended to develop your understanding of the history and aesthetics of Rock music, from the 1940s to the present, focusing on critical listening and critical making. You will have the opportunity to get to know the basic forms of rock songwriting, develop knowledge of the ways musicians and sound engineers collaborate to create recordings, learn the general history of rock music and its importance to musicians, and read and write rock criticism.
73465
Discussion/
Recitation
ADF
10:00AM -10:50AM
R
0358 Music Building
Cornell, H
Vallier, N
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
TOPIC: “THE HISTORY OF ROCK.” This course is intended to develop your understanding of the history and aesthetics of Rock music, from the 1940s to the present, focusing on critical listening and critical making. You will have the opportunity to get to know the basic forms of rock songwriting, develop knowledge of the ways musicians and sound engineers collaborate to create recordings, learn the general history of rock music and its importance to musicians, and read and write rock criticism.
73466
Discussion/
Recitation
ADG
3:00PM -3:50PM
R
0357 Music Building
Stedman, W
Vallier, N
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
TOPIC: “THE HISTORY OF ROCK.” This course is intended to develop your understanding of the history and aesthetics of Rock music, from the 1940s to the present, focusing on critical listening and critical making. You will have the opportunity to get to know the basic forms of rock songwriting, develop knowledge of the ways musicians and sound engineers collaborate to create recordings, learn the general history of rock music and its importance to musicians, and read and write rock criticism.
73468
Discussion/
Recitation
ADI
12:00PM -12:50PM
F
0356 Music Building
Stedman, W
Vallier, N
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
TOPIC: “THE HISTORY OF ROCK.” This course is intended to develop your understanding of the history and aesthetics of Rock music, from the 1940s to the present, focusing on critical listening and critical making. You will have the opportunity to get to know the basic forms of rock songwriting, develop knowledge of the ways musicians and sound engineers collaborate to create recordings, learn the general history of rock music and its importance to musicians, and read and write rock criticism.
73469
Discussion/
Recitation
ADJ
1:00PM -1:50PM
F
0356 Music Building
Stedman, W
Vallier, N
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
TOPIC: “THE HISTORY OF ROCK.” This course is intended to develop your understanding of the history and aesthetics of Rock music, from the 1940s to the present, focusing on critical listening and critical making. You will have the opportunity to get to know the basic forms of rock songwriting, develop knowledge of the ways musicians and sound engineers collaborate to create recordings, learn the general history of rock music and its importance to musicians, and read and write rock criticism.
73470
Discussion/
Recitation
ADK
4:00PM -4:50PM
T
0358 Music Building
Cornell, H
Vallier, N
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
TOPIC: “THE HISTORY OF ROCK.” This course is intended to develop your understanding of the history and aesthetics of Rock music, from the 1940s to the present, focusing on critical listening and critical making. You will have the opportunity to get to know the basic forms of rock songwriting, develop knowledge of the ways musicians and sound engineers collaborate to create recordings, learn the general history of rock music and its importance to musicians, and read and write rock criticism.
73471
Discussion/
Recitation
ADL
4:00PM -4:50PM
R
0357 Music Building
Stedman, W
Vallier, N
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
TOPIC: “THE HISTORY OF ROCK.” This course is intended to develop your understanding of the history and aesthetics of Rock music, from the 1940s to the present, focusing on critical listening and critical making. You will have the opportunity to get to know the basic forms of rock songwriting, develop knowledge of the ways musicians and sound engineers collaborate to create recordings, learn the general history of rock music and its importance to musicians, and read and write rock criticism.
75502
Online
ADT
ARRANGED
n.a.
n.a.
Cornell, H
Vallier, N
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
TOPIC: "THE HISTORY OF ROCK." This course is intended to develop your understanding of the history and aesthetics of Rock music, from the 1940s to the present, focusing on critical listening and critical making. You will have the opportunity to get to know the basic forms of rock songwriting, develop knowledge of the ways musicians and sound engineers collaborate to create recordings, learn the general history of rock music and its importance to musicians, and read and write rock criticism.
73319
Lecture
AL1
1:00PM -1:50PM
TR
1030 Music Building
Vallier, N
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
TOPIC: “THE HISTORY OF ROCK.” This course is intended to develop your understanding of the history and aesthetics of Rock music, from the 1940s to the present, focusing on critical listening and critical making. You will have the opportunity to get to know the basic forms of rock songwriting, develop knowledge of the ways musicians and sound engineers collaborate to create recordings, learn the general history of rock music and its importance to musicians, and read and write rock criticism.
75515
Lecture-Discussion
C
8:00AM -8:50AM
MWF
2018 Campus Instructional Facility
Lampe, S
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
Topic: “THE AMERICAN MUSIC INDUSTRY: LAW, COPYRIGHT, AND ARTISTIC AGENCY.” This course is intended to develop your understanding of the intertwined relationship between the American music industry, copyright law, and artistic agency from the 1940s to the present. Focusing on critical listening and case studies, you will have the opportunity to get to know fundamental concepts related to popular songwriting, engage with the general history of the music industry, better understand how copyright law disenfranchises artist from marginalized communities, develop knowledge of the ways that industry shapes musical creation and reception, and acquire the tools to craft your own music criticism. Students who enroll in MUS 132, Section C should NOT enroll in any other MUS 132 sections.
75516
Lecture-Discussion
D
1:00PM -1:50PM
MWF
3018 Campus Instructional Facility
Harris, K
Part of Term:
1
Date Range:
08/26/24-12/11/24
Degree Notes:
Humanities - Lit & Arts, and Cultural Studies - US Minority course.
Section Info:
Topic: “THE AMERICAN MUSIC INDUSTRY: LAW, COPYRIGHT, AND ARTISTIC AGENCY.” This course is intended to develop your understanding of the intertwined relationship between the American music industry, copyright law, and artistic agency from the 1940s to the present. Focusing on critical listening and case studies, you will have the opportunity to get to know fundamental concepts related to popular songwriting, engage with the general history of the music industry, better understand how copyright law disenfranchises artist from marginalized communities, develop knowledge of the ways that industry shapes musical creation and reception, and acquire the tools to craft your own music criticism. Students who enroll in MUS 132, Section D should NOT enroll in any other MUS 132 sections.
COURSE EXPLORER
Email: Course Explorer Feedback

OFFICE OF THE REGISTRAR | 901 W. Illinois Street, Urbana, Illinois 61801

Site developed by: Technology Services at Illinois | UNIVERSITY OF ILLINOIS URBANA-CHAMPAIGN
1102 Digital Computer Laboratory | MC-256 | Urbana, IL 61801 | phone 217-244-7000