ARTS 365

Fall 2020 All Classes

All Classes

Photography Workshop

SHOW FINAL EXAM SCHEDULE

Credit: 3 hours.

Advanced course on a special topic: see Class Schedule section note for description.

Additional fees may apply. See Class Schedule. May be repeated to a maximum of 12 hours. Prerequisite: Junior or senior standing in art and design; or consent of instructor based upon announced criterion that varies with topic.

A student registered in one or more Art & Design course(s) exhibiting this message, will be assessed a $95 facility use fee once each term.

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ARTS 365 class schedule data for fall 2020
CRN	Type	Section	Time	Day	Location	Instructor	Section Details
73204	Studio	1	5:00PM -7:40PM	TR	316 Art and Design Building	Fein-Smolinski, R	Part of Term: 1 Date Range: 08/24/20-12/09/20 Section Info: Topic: Advanced studio techniques. In this course we will explore the historical, conceptual, and technical aspects of the studio and how it fits into artmaking, with a focus on lens-based media. Traditional and non-traditional lighting techniques using hot-lights, strobes, and natural/ambient light, analog and digital practices, tethered shooting, working with a copy-stand, and advanced editing in Adobe Photoshop will be covered. There will be an emphasis on creative problem solving in response to physical, spatial, and equipment access limitations, set-building, and cross-genre inspiration from high fashion, commercial, and bio-medical photography. The yield sign icon indicates that there are open seats, but some seats may be restricted to majors or minors. Check your registration screen to see if there is an open seat for you.
75145	Online Lab	1OL	5:00PM -7:40PM	TR	n.a.	Fein-Smolinski, R	Part of Term: 1 Date Range: 08/24/20-12/09/20 Section Info: Topic: Advanced studio techniques. In this course we will explore the historical, conceptual, and technical aspects of the studio and how it fits into artmaking, with a focus on lens-based media. Traditional and non-traditional lighting techniques using hot-lights, strobes, and natural/ambient light, analog and digital practices, tethered shooting, working with a copy-stand, and advanced editing in Adobe Photoshop will be covered. There will be an emphasis on creative problem solving in response to physical, spatial, and equipment access limitations, set-building, and cross-genre inspiration from high fashion, commercial, and bio-medical photography. The yield sign icon indicates that there are open seats, but some seats may be restricted to majors or minors. Check your registration screen to see if there is an open seat for you.
73205	Studio	2	4:00PM -6:40PM	MW	316 Art and Design Building	Xu, G	Part of Term: 1 Date Range: 08/24/20-12/09/20 Section Info: Topic: Migrating Images. We are living in the age of images. We unconsciously consume, reproduce, or create images everyday. Why do we create a photograph in a specific time and space? In this course, indicated by the destabilized identity of the image-maker in this globalized world, students will be asked to create a term-long project considering the migration of image as well as migration of identity. We also concern the trajectory and the site of contemporary image production by investigating the relationship between photography and other disciplines. Assignments/experiments of collage, installation art, and computer generated image will be introduced with discussions of conceptual and theoretical frameworks by artists and thinkers including Hito Steyerl, Trevor Paglen, Nicholas Mirzoeff, Jacolby Satterwhite, Lisa Lowe, Sara Ahmed, Helen Westgees, Hague Yang, Shawn Michelle Smith, Byung-Chul Han, and so on. The yield sign icon indicates that there are open seats, but some seats may be restricted to majors or minors. Check your registration screen to see if there is an open seat for you.
75146	Online Lab	2OL	4:00PM -6:40PM	MW	n.a.	Xu, G	Part of Term: 1 Date Range: 08/24/20-12/09/20 Section Info: Topic: Migrating Images. We are living in the age of images. We unconsciously consume, reproduce, or create images everyday. Why do we create a photograph in a specific time and space? In this course, indicated by the destabilized identity of the image-maker in this globalized world, students will be asked to create a term-long project considering the migration of image as well as migration of identity. We also concern the trajectory and the site of contemporary image production by investigating the relationship between photography and other disciplines. Assignments/experiments of collage, installation art, and computer generated image will be introduced with discussions of conceptual and theoretical frameworks by artists and thinkers including Hito Steyerl, Trevor Paglen, Nicholas Mirzoeff, Jacolby Satterwhite, Lisa Lowe, Sara Ahmed, Helen Westgees, Hague Yang, Shawn Michelle Smith, Byung-Chul Han, and so on. The yield sign icon indicates that there are open seats, but some seats may be restricted to majors or minors. Check your registration screen to see if there is an open seat for you.