ARTS 446

Fall 2025 Part of Term 1

Part of Term 1
Aug 25-Dec 10

Credit: 3 OR 4 hours.

Performance Art is a crossroad of disciplines and their histories - theater, visual art, music, dance, literature, religion, design, architecture, sociology/archeology, technology, film/video, and sound. Embodied performance differs from traditional art practices in its examination of the intersection of time, image and presence. This class will introduce performance as a time-based medium The core of the semester will be devoted to generating and structuring raw material and performing the work for an audience.

Additional fees may apply. See Class Schedule. 3 undergraduate hours. 4 graduate hours. Prerequisite: Restricted to School of Art & Design majors.

A student registered in one or more Art & Design course(s) exhibiting this message, will be assessed a $95 facility use fee once each term.

ARTS 446 class schedule data for fall 2025
CRN Type Section Time Day Location Instructor Section Details
80663
Studio
GRD
2:00PM -4:40PM
TR
334 Flagg Hall
Weaver, D
Part of Term:
1
Date Range:
08/25/25-12/10/25
Credit:
4 hours
Section Title:
Performance
Section Info:
Performance Art can be a lot of things. Its primary material is time. Sometimes it feels like a crossroad of disciplines and their histories - visual art, theater, dance, music, literature, religion, design, architecture, sociology/archeology, technology, film/video, and sound. The core of the semester will be devoted to generating and structuring raw material, strategies for working with narrative, ritual/routine, and site specificity. We’ll perform the work. Sometimes we’ll perform for an audience.
80662
Studio
UG
2:00PM -4:40PM
TR
334 Flagg Hall
Weaver, D
Part of Term:
1
Date Range:
08/25/25-12/10/25
Credit:
3 hours
Section Title:
Performance
Section Info:
Performance Art can be a lot of things. Its primary material is time. Sometimes it feels like a crossroad of disciplines and their histories - visual art, theater, dance, music, literature, religion, design, architecture, sociology/archeology, technology, film/video, and sound. The core of the semester will be devoted to generating and structuring raw material, strategies for working with narrative, ritual/routine, and site specificity. We’ll perform the work. Sometimes we’ll perform for an audience.
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