AFRO 498

Fall 2025 All Classes

All Classes

Credit: 3 OR 4 hours.

Seminar on selected topics with particular emphasis on current research trends.

3 undergraduate hours. 4 graduate hours. May be repeated up to a maximum of 6 undergraduate hours or 8 graduate hours. Prerequisite: Upper level AFRO course (300 or above) or consent of instructor.

AFRO 498 class schedule data for fall 2025
CRN Type Section Time Day Location Instructor Section Details
66387
Lecture-Discussion
CJ
11:00AM -12:15PM
TR
1020 Lincoln Hall
Jenkins, C
Part of Term:
1
Date Range:
08/25/25-12/10/25
Credit:
3 hours
Section Title:
Thinking Blackness in the Long
Section Info:
FA25 AFRO 498 / ENGL 460 - Candice Jenkins - Thinking Blackness in the Long Contemporary - This course is an experiment in Black thought. Through study of 21st century Black cultural production, including fiction, film, poetry, and drama, as well as literary and cultural criticism, we will consider how African American creatives and scholars have theorized Black existence. Our inquiry, while centered in the now, will attend in part to temporal and political shifts in the “contemporary moment” from the exuberant post-Civil Rights past to the “post-racial” fantasies of the Obama era to today’s unsettled and volatile present. The critical path to and through Blackness that we follow, led by the works under study, will be intersectional, dynamic, and wide-ranging; it will push us into encounters with the queer, the melancholy, the satirical, and the surreal. Reading widely, yet deliberating with care and in depth, we will hold space for Blackness as struggle and refusal, as pleasure and joy, as collective grief, as power, and most crucially, as possibility.
66388
Lecture-Discussion
CJG
11:00AM -12:15PM
TR
1020 Lincoln Hall
Jenkins, C
Part of Term:
1
Date Range:
08/25/25-12/10/25
Credit:
4 hours
Section Title:
Thinking Blackness in the Long
Section Info:
FA25 AFRO 498 / ENGL 460 - Candice Jenkins - Thinking Blackness in the Long Contemporary - This course is an experiment in Black thought. Through study of 21st century Black cultural production, including fiction, film, poetry, and drama, as well as literary and cultural criticism, we will consider how African American creatives and scholars have theorized Black existence. Our inquiry, while centered in the now, will attend in part to temporal and political shifts in the “contemporary moment” from the exuberant post-Civil Rights past to the “post-racial” fantasies of the Obama era to today’s unsettled and volatile present. The critical path to and through Blackness that we follow, led by the works under study, will be intersectional, dynamic, and wide-ranging; it will push us into encounters with the queer, the melancholy, the satirical, and the surreal. Reading widely, yet deliberating with care and in depth, we will hold space for Blackness as struggle and refusal, as pleasure and joy, as collective grief, as power, and most crucially, as possibility.
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