FAA 550

Spring 2024 All Classes

All Classes

Cripistemology and the Arts Seminar

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Credit: 4 hours.

Crip*- Cripistemology and the Arts (Crip*) is a practice based creative research project and transdisciplinary initiative focused on how knowledge produced via Crip/Disabled experience can shape and change how we approach our respective mediums. Courses will explore specializations within the Crip* discipline and include attending lectures, screenings, workshops and performances outside of class time. Subjects include Crip* Temporalities: Crip/Disabled Embodiment and Time-Based Praxes, deaf*: Art and Communication, and Crip* Collaboration: Experiments in Crip/Disabled Cultural Formations.

4 graduate hours. No professional credit. Approved for Letter and S/U grading. May be repeated in separate terms to a maximum of 12 graduate hours.

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FAA 550 class schedule data for spring 2024
	CRN	Type	Section	Time	Day	Location	Instructor	Section Details
	75985	Lecture-Discussion	A	9:00AM -11:50AM	W	ARR Architecture Building	Jones, C Sylvestre, L	Part of Term: 1 Date Range: 01/16/24-05/01/24 Section Title: deaf—in/around Art + Comm Section Info: This course will meet in 20B Architecture Building. deaf—a term to describe a multiplicity of non-normative experiences, vantages, and epistemologies in/around aurality, orality, communication, listening, and beyond— is emergent, speculative, re: generative, and horizontal (of/towards the sensorium’s horizon). This course will explore, chart, apply, and expand upon deaf* creative/critical methodologies through a combination of theoretical, practical, and historical modes. deaf* will also critically engage issues of access, embodiment, and representation through an applied cripistemological framework and a consideration of the social and political histories of hard of hearing and d/Deaf individuals.
	75988	Online	B	ARRANGED	n.a.	n.a.	Jones, C Sylvestre, L	Part of Term: 1 Date Range: 01/16/24-05/01/24 Section Title: deaf—in/around Art Comm Section Info: deaf—a term to describe a multiplicity of non-normative experiences, vantages, and epistemologies in/around aurality, orality, communication, listening, and beyond— is emergent, speculative, re: generative, and horizontal (of/towards the sensorium’s horizon). This course will explore, chart, apply, and expand upon deaf* creative/critical methodologies through a combination of theoretical, practical, and historical modes. deaf* will also critically engage issues of access, embodiment, and representation through an applied cripistemological framework and a consideration of the social and political histories of hard of hearing and d/Deaf individuals.