SCAN 463

Spring 2009 All Classes

All Classes

Ibsen in Translation

Credit: 3 OR 4 hours.

Ibsen's major plays: Brand, Peer Gynt, and the entire prose cycle from Pillars of Society to When We Dead Awaken.

Same as CWL 463 and THEA 483. 3 undergraduate hours. 4 graduate hours. Prerequisite: One college-level literature or theatre course, or consent of instructor.

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SCAN 463 class schedule data for spring 2009
	CRN	Type	Section	Time	Day	Location	Instructor	Section Details
	34205	Lecture-Discussion	R3	10:00AM -11:20AM	TR	130 Wohlers Hall	Stenport, A	Part of Term: 1 Date Range: 01/20/09-05/06/09 Credit: 3 hours Section Info: Topic Section R3: Ibsen in Translation: The Major Plays of a Major Playwright. This course is dedicated to the major plays of Henrik Ibsen, one of the most important playwrights in the history of modern drama. This class will give students a thorough understanding of the structures, themes, and socio-historical contexts of Ibsen's drama. Particular areas of focus include addressing metaphors of economics, politics of gender, and the function of sets and architectural representation. We will also study production- and audience-related aspects. Ibsen's international legacy is significant and his influence extends across world literature, which this course addresses (e.g. Shaw, O'Neill, the Chinese Nora-dramas, modern film adaptations). The course features a strong research component and emphasizes group work, including some in-class reciting. Cross listed with: CWL 463/THEA 483 Meets with: GWS 495/ENGL 455
	34208	Lecture-Discussion	R4	10:00AM -11:20AM	TR	130 Wohlers Hall	Stenport, A	Part of Term: 1 Date Range: 01/20/09-05/06/09 Credit: 4 hours Section Info: Topic Section R4: Ibsen in Translation: The Major Plays of a Major Playwright. Cross listed with: CWL 463/THEA 483 Meets with: GWS 495/ENGL 455. This course is dedicated to the major plays of Henrik Ibsen, one of the most important playwrights in the history of modern drama. This class will give students a thorough understanding of the structures, themes, and socio-historical contexts of Ibsen's drama. Particular areas of focus include addressing metaphors of economics, politics of gender, and the function of sets and architectural representation. We will also study production- and audience-related aspects. Ibsen's international legacy is significant and his influence extends across world literature, which this course addresses (e.g. Shaw, O'Neill, the Chinese Nora-dramas, modern film adaptations). The course features a strong research component and emphasizes group work, including some in-class reciting.